Abstract
“What is the productive tension between ‘poetics’ and ‘poetry’ as these terms are currently used?” asks critic Maria Damon. In much the same way, this issue of Transatlantica intends to focus on the tensions, frictions, and contradictions between poetic writing and aesthetic discourse, between practice and theory. In The Futurist Moment, Marjorie Perloff shows how “[t]he novelty of Italian Futurist manifestos […] is their brash refusal to remain in the expository or critical corner, their und...
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