Aesthetics and Ideology: What Happened to Poetics?

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Previous articleNext article No AccessAesthetics and Ideology: What Happened to Poetics?Peter BrooksPeter Brooks Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 20, Number 3Spring, 1994 Article DOIhttps://doi.org/10.1086/448723 Views: 30Total views on this site Citations: 6Citations are reported from Crossref Copyright 1994 The University of ChicagoPDF download Crossref reports the following articles citing this article:ROSS COLE Popular Song and the Poetics of Experience, Journal of the Royal Musical Association 146, no.11 (Feb 2021): 81–116.https://doi.org/10.1017/rma.2020.25ROSS COLE Popular Song and the Poetics of Experience, Journal of the Royal Musical Association 23/5 (Feb 2021): 1–36.https://doi.org/10.1017/rma.2021.25Carrie Noland Rimbaud and Patti Smith: Style as Social Deviance, (Jan 2015): 17–51.https://doi.org/10.4000/books.pulm.10718Joel Galand Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, Journal of Music Theory 57, no.22 (Oct 2013): 383–418.https://doi.org/10.1215/00222909-2323515P. G. Monateri La 'American Theory': Nuovo Realismo E Lettura Ontologica. A Proposito DelllEdizione Italiana Di Francois Cusset, French Theory, Il Saggiatore, Milano 2012 (The 'American Theory': New Realism and Ontological Reading. Re-thinking Francois Cusset and his 'French Theory' after its Italian Translation.), SSRN Electronic Journal (Jan 2013).https://doi.org/10.2139/ssrn.2373066Daniel Just Art and everydayness: Popular culture and daily life in the communist Czechoslovakia, European Journal of Cultural Studies 15, no.66 (Dec 2012): 703–720.https://doi.org/10.1177/1367549412450637