Abstract

In keeping with the spirit of this Special Issue, this article takes a retrospective view – analysing two decades of research on local, city-based cultural economies in the dominant context of the ‘creative industries’ policy paradigm. We begin by exploring our own position in the field – as early arbiters for the cultural industries – and the political and economic context which informed our own (shared) efforts to further progressive claims for culture, amidst the transforming post-industrial city of the 1990s. The subsequent rise of a creative industries discourse – in the United Kingdom and beyond – had a transformative effect on those progressive claims, not least in bringing to the fore a more economistic, capital-driven model of urban renewal which served to undermine many of the promises that had been invested in popular urban culture under social democracy. How this shift was played out in the academic literature – and its political consequences – is the theme of the remainder of the article. This article forms part of the Special Issue ‘On the Move’, which marks the 20th anniversary of the European Journal of Cultural Studies. It also heads up a special online dossier on ‘Creative Industries in the European Journal of Cultural Studies’.

Highlights

  • In the late 1990s, we worked together on a research project entitled ‘Cultural Industries and the City’.1 The aim of this project was to investigate the relationships between what were emerging as the cultural or newly minted ‘creative’ industries and transforming inner-city areas in the United Kingdom

  • We were concerned with how these relationships were unfolding in the rapidly changing and regenerating city of Manchester, a place emerging from the worst effects of deindustrialisation and starting to tentatively embrace the ‘new’ economy of services and ‘knowledge-led’ production

  • It is worth recalling that at this time there was a tremendous amount of excitement about the creative industries, following the coming to power of New Labour in 1997 and the recent formation of a responsible ministry – the Department of Culture, Media and Sport – with a specific remit to promote this nascent ‘sector’

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Summary

Introduction

In the late 1990s, we worked together on a research project entitled ‘Cultural Industries and the City’.1 The aim of this project was to investigate the relationships between what were emerging as the cultural or newly minted ‘creative’ industries and transforming inner-city areas in the United Kingdom.

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