Aesthetic Elements of Calligraphy Appear in Chinese Films

Abstract

Aesthetic elements of calligraphy appear in Chinese films is the main focus of this paper. The transition of calligraphy works from practicality to artistry is actually a process of constantly surpassing techniques, and it is a logical evolution from technique to Dao. In this process, the subject's emotions are continuously infiltrated, enriched and expanded in the realization of techniques. Hence, we will consider to apply to the real scenarios. In essence, film is a way of cultural dissemination. Each film has its own cultural concept and cultural orientation and the process of dissemination is a process of concept diffusion. Accordingly, this paper gives the novel suggestions.