Abstract
This article represents a revised chapter of my book György Ligeti’s Creation in the Stylistic Context of the 20st Century, published in 1999. It shows the divergent and contrasting aspects of the com poser’s pieces, their synaesthesis and their preference for allusions and illusions. Ligeti’s whole work is a large spectrum built with associable musical structures that are also found with other composers or even in extramusical artistic productions. But despite this, it remains original and innovative, not belonging to any stylistic orientation of 20th century music.
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