Abstract
The performing arts of Chinese classical theatre reached their maturity during the Ming dynasty when the private theatre presented some of the most sophisticated acting available. This article examines the singing, dancing, and role playing of private actors and the functions of literati troupe owners in managing their companies. Based on original historical records rather than scholarly reports, this study views its subject from the perspective of ancient theatregoers. It also makes available for the first time English translations of many Mingperiod theatre commentaries. Grant Shen, who teaches Asian theatre at the National University of Singapore, directed thefirst English-language production of a Yuan zaju play in the classical style (1995). Employing methods of the Ming literati in his direction, he found them useful in today's public performance of classical drama. Professor Shen holds his doctorate from the University of Hawai'i.
Published Version
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