Acoustics in Baroque Catholic Church Spaces

Abstract

After the Council of Trent (1545–1563), the Catholic Church undertook a profound renovation, which affected the spatial configuration of the churches to adjust to the spirit of the Counter-Reformation. The acoustic cultural heritage in these spaces have been studied by different researchers, proposing the joint analysis of 66 Catholic churches from the Baroque period. This study delves into the global characterisation of the sample and establishes correlations between geometric and acoustic parameters. From the acoustic analysis, it is clear that the central floor typology, as opposed to Latin cross churches, presents better average values of musical clarity in relation to their volume. The analysis of the relationship between acoustic and geometric parameters, when the sample of churches is discriminated by typology, allows for the establishment of appropriate correlations for Latin cross floor plans, single naves and basilicas, but not when the analysis is carried out for the entire sample. These correlations are a tool that allows us to evaluate acoustic parameters not measured in situ in Catholic churches of the Baroque period in a predictive way as a function of other measured acoustic or geometric parameters.