Abstract
This article applies aspects of Jürgen Habermas, Manuel Castells and Lawrence Lessig’s theories to demonstrate how digital communication and new media platforms enhance cultural participation as well as how cultural policy affects the cultural behaviour of users who produce and are consumers in a digital convergence culture. The digital platforms and new media used in the analysis include an open source animated short film, Elephants Dream, the social networking sites YouTube and MySpace, and the BBC’s Creative Archive. The aim of this article is to study how cultural policy makers can learn from these examples and how they can make use of the participatory, self‐publishing characteristics of Web 2.0 in order to create accessible digital cultural public spheres.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
