Abstract

Pitch is a primary perceptual dimension of sounds and is crucial in music and speech perception. When listening to melodies, most humans encode the relations between pitches into memory using an ability called relative pitch (RP). A small subpopulation, almost exclusively musicians, preferentially encode pitches using absolute pitch (AP): the ability to identify the pitch of a sound without an external reference. In this study, we recruited a large sample of musicians with AP (AP musicians) and without AP (RP musicians). The participants performed a pitch-processing task with a Listening and a Labeling condition during functional magnetic resonance imaging. General linear model analysis revealed that while labeling tones, AP musicians showed lower blood oxygenation level-dependent (BOLD) signal in the inferior frontal gyrus and the presupplementary motor area-brain regions associated with working memory, language functions, and auditory imagery. At the same time, AP musicians labeled tones more accurately suggesting that AP might be an example of neural efficiency. In addition, using multivariate pattern analysis, we found that BOLD signal patterns in the inferior frontal gyrus and the presupplementary motor area differentiated between the groups. These clusters were similar, but not identical compared to the general linear model-based clusters. Therefore, information about AP and RP might be present on different spatial scales. While listening to tones, AP musicians showed increased BOLD signal in the right planum temporale which may reflect the matching of pitch information with internal templates and corroborates the importance of the planum temporale in AP processing. Taken together, AP and RP musicians show diverging frontal activations during Labeling and, more subtly, differences in right auditory activation during Listening. The results of this study do not support the previously reported importance of the dorsolateral prefrontal cortex in associating a pitch with its label.

Highlights

  • Pitch is a primary perceptual dimension of sounds and plays a crucial role in music and speech perception (Plack et al 2005)

  • The blood oxygenation level dependent (BOLD) signal changes were analyzed using a voxel-wise general linear model (GLM) in combination with a second-level mixed factorial design., Using the mask restricting the search space to brain regions previously associated with absolute pitch 5 (AP) or relative pitch 4 (RP), we found a Group x Condition interaction which was characterized by smaller BOLD

  • We investigated AP and RP processing in the human brain using task-based fMRI in a large sample of musicians

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Summary

Introduction

Pitch is a primary perceptual dimension of sounds and plays a crucial role in music and speech perception (Plack et al 2005). With the exception of individuals suffering from amusia (tone deafness), all humans are able to identify changes in pitch contour by making higher-lower judgements — even from a very young age (Plantinga and Trainor 2005). Trained musicians can identify the exact musical interval (e.g., a perfect fifth) between pitches (McDermott and Oxenham 2008). A small subpopulation, almost exclusively comprised of musicians, preferentially encodes pitches in absolute terms (Miyazaki and Rakowski 2002). These musicians possess absolute pitch (AP), the ability to identify the pitch of a sound without an external reference (Zatorre 2003; Levitin and Rogers 2005; Deutsch 2013). Musicians with AP are referred to as AP musicians and musicians without AP as RP musicians

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