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Next article FreeAbout the AuthorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreEmma Acker is the associate curator of American art at the Fine Arts Museums of San Francisco, where she organized most recently the exhibition Cult of the Machine: Precisionism and American Art (de Young Museum, March 24–August 12, 2018; Dallas Museum of Art, September 16, 2018–January 6, 2019), and was the contributing editor of the accompanying scholarly catalogue.Susanneh Bieber is an assistant professor of art history at Texas A&M University. Her research focuses on modern and contemporary American art in an international context, particularly the relationship between art, architecture, and the built environment. Her current book manuscript, “Construction Sites: American Artists Engage the Built Environment, 1960–75,” examines how artists referenced architectural discourses to make their work socially relevant.Kevin Hatch is an associate professor of art history at Binghamton University. He is the author of Looking for Bruce Conner (2012) and essays on Roy Lichtenstein and Ed Ruscha, among others.Ashley Lazevnick is a postdoctoral fellow at the Phillips Collection/University of Maryland. She received her Ph.D. from Princeton University in 2018 and is currently writing a book on the relationship of American Precisionism to early twentieth-century poetry, philosophy, and popular science.Leo G. Mazow is the Louise B. and J. Harwood Cochrane Curator of American Art at the Virginia Museum of Fine Arts (VMFA). He is presently organizing the exhibition Edward Hopper and the American Hotel, which opens at the VMFA in fall 2019. Mazow is the contributing editor of the accompanying publication.James H. Miller is a doctoral student of American art at Princeton University. A former New York correspondent for the Art Newspaper, he holds a master’s degree in the history of art from Williams College, where he received the Clark Art Institute Graduate Prize in 2016.Vanessa Meikle Schulman is an assistant professor in the Department of History and Art History at George Mason University and the author of Work Sights: The Visual Culture of Industry in Nineteenth-Century America (2015). Next article DetailsFiguresReferencesCited by American Art Volume 33, Number 1Spring 2019 Sponsored by the Smithsonian American Art Museum Article DOIhttps://doi.org/10.1086/703705 © 2019 by Smithsonian Institution. All rights reserved.PDF download Crossref reports no articles citing this article.