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Previous articleNext article FreeAbout the AuthorsFull TextPDF Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreJenny Anger is professor and chair of art history at Grinnell College. She is the author of Paul Klee and the Decorative in Modern Art (2004) and Four Metaphors of Modernism: From Der Sturm to the Société Anonyme (2018). Anger’s long-standing interest in gender and art extends here to an exploration of mental illness.Paisid Aramphongphan earned a Ph.D. in the history of art and architecture from Harvard University, and previously held a Terra Foundation Postdoctoral Fellowship at the Smithsonian American Art Museum. His book Horizontal Together: Art, Dance, and Queer Embodiment in 1960s New York is forthcoming (May 2021).David Brody is a professor of design studies at Parsons School of Design at the New School. He is the author of Housekeeping by Design: Hotels and Labor (2016) and Visualizing American Empire: Orientalism and Imperialism in the Philippines (2010), and co-editor of Design Studies: A Reader (2009). He is on the editorial board of American Art.Rhoda Eitel-Porter is the editor of Print Quarterly, based in London. Her master’s thesis was on portraits of women by Otto Dix; her Ph.D. dissertation on Cesare Nebbia was published in 2009. Much of her research focuses on Italian art of the sixteenth century, and American and German art of the twentieth century.Elizabeth S. Hawley is a visiting assistant professor in art history and visual studies at Northeastern University. She received her PhD from the CUNY Graduate Center, and her research on Native and non-Native art in the American Southwest has been supported by the Lunder Institute, Wolfsonian-FIU, and the Pittsburgh Foundation.Jennifer Quick holds a Ph.D. from Harvard University. She was previously Research Curator for the Polaroid Consultant Photographers Collection at the Harvard Business School. Her book manuscript, “Back to the Drawing Board: Ed Ruscha, Art, and Design in the 1960s” is under contract with Yale University Press.Jennifer Van Horn is an associate professor of art history and history at the University of Delaware. She is the author of The Power of Objects in Eighteenth-Century British America (2017) and her second book, Portraits of Resistance: Activating Art During Slavery, is due for publication next year.Kristina Wilson is a professor of art history at Clark University and the author of numerous books, articles, and essays on modernist design and modernist fine art practice in the United States. Her book Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design is due for publication in April 2021. Previous articleNext article DetailsFiguresReferencesCited by American Art Volume 35, Number 1Spring 2021 Sponsored by the Smithsonian American Art Museum Article DOIhttps://doi.org/10.1086/714334 Views: 198 © 2021 by The Smithsonian Institution. All rights reserved. Crossref reports no articles citing this article.

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