‘A window of the world’: itinerant silent cinemas in rural Australia

Abstract

ABSTRACT Moving pictures connected even the most remote corners of the British Empire with its cultural and economic center. Between 1896 and 1916, transnational silent cinema shaped settler-colonial Australia’s relationship to the British Empire in tandem with the colonies’ move toward federation and political autonomy. Traveling exhibitors were key to this process, bringing moving pictures from the UK, Europe, and the US to Australians who lived outside major cities. This paper explores how itinerant silent cinema shows brought not just the pictures to rural Australian audiences, but also a sense of belonging to an imagined transnational community, through films from the UK, US, France, Italy, Germany, Denmark, and Sweden. Between 1896 and 1905, exhibitors like Maurice Sestier and Wybert Reeve were instrumental in introducing cinema technology, while entertainers like J. C. Williamson, T.J. West, the Marvellous Corricks, and Ettie Wilmott helped maintain the popularity of the cinema in the mid-1900s, in part by incorporating films into variety shows. From around 1910, when permanent cinemas had been established in larger Australian towns, until at least 1914 but in some cases for much longer, itinerant exhibitors and vaudeville shows like Wilmott’s Electric Pictures kept remote rural communities supplied, albeit intermittently, with cinema experiences that connected them to a wider imagined community.