Abstract
The overall concept of this unique method of final audio mixing for network television programs is described. This “double-system” approach, using coincidental SMPTE time code on an eight-channel audio recorder with “workprint” picture information from a 1-inch (25-mm) videotape unit, allows greatly improved freedom for the production staff. Equipment, personnel, and step-by-step procedures are discussed in detail.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
