Abstract
In tokyo's fashionable roppongi crossing, just down the street from the Almond Cafe where urbanites converge to meet their dates, a sign over a Chinese restaurant bears two Chinese characters: Kō Hi (Xiang Fei).The establishment's menu and business cards display a portrait of a beautiful East Asian woman in Manchu dress; her expression is enigmatic. The restaurant's advertising describes a Chinese emperor's consort renowned for her miraculous fragrance, and promises equally aromatic culinary delights.
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