Abstract

Being some major problems of our contemporary world, racism and ethnocentrism demand persistent critical scrutiny. One oft-neglected aspect of these problems is how such prejudices are shared and communicated among the members of the dominant group. This study examines Lynn Nottage’s Pulitzer Prize-winning play, Sweat (2015), as a dramatic representation of how racism and ethnocentrism are reproduced and communicated as a social cognition. To this aim, the study tries to employ Teun Adrianus Van Dijk’s cognitively-based discourse analysis and focus on some micro-level aspects of racism as a social cognition rather as an abstract historical phenomenon. Contextualizing the play within its socio-historical moment, three trends of schematic attitudes and mental models regarding ethnocentrism_ as Van Dijk’s theory outlines_ are identified from and studied in the play. The findings demonstrate the socio-cognitive dimension of the discourse of racism, particularly the way it is reproduced and communicated among the dominant in-group members. Moreover, the discussion offers some insight on Lynn Nottage’s latest dramatic endeavor in a hard-hitting portrayal of the intersections of race, class, and political economy and in drawing attention to the real meaning of diversity and inclusion in contemporary America.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call