Abstract
This research paper attempts to analyse the contents of the unconscious (psyche) in the works of the Surrealist artist, Salvador Dali, and also to provide for an interpretation of the same. In order to establish a relation between psychology and art, Jungian symbolism is studied and to avoid any subjective approach to analytical interpretation, Semiotics of Charles S. Peirce is applied with respect to the whole work of art as a semiotic sign.
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