A Romani woman in Eurovision: ethnic and gender stereotypes in the reception of Remedios Amaya (1983)

Abstract

ABSTRACT Remedios Amaya was the first Roma woman to represent Spain at the Eurovision Song Contest. Chosen because of her ethnicity, Amaya’s Romani heritage was meant to commemorate the Samudaripen/Porajmos (Romani Holocaust) in the year Munich hosted Eurovision (1983). Despite efforts to foster an image of modernization and progressive values, the hostile reception that followed her performance being awarded zero points contributed to the perpetuation of various stereotypes of Romani women. Analyzing press reviews of Europe’s most popular music program, my aim is to explore the perceptions of non-Roma commentators with regard to the selection and reception of a Romani singer as Spain’s representative. Looking at reception studies and stardom, this article will analyze the intersection of ethnic and gender stereotypes in relation to a female Roma artist during the early years of Spanish democracy. It will explore the hypersexualization and exoticization of Amaya’s TV performance, which revived the image of the Gitana, a trope that under Franco embodied the image of an idealized Spain. Widely exploited by the tourist industry, Roma culture (or more precisely, the naturalization of certain stereotypes assigned to Gitanos) was blamed for reviving the association with the recent dictatorship, thus displaying the persistence of Spain’s unresolved past and ambivalent cultural identity that still destabilizes Spaniards with regards to their status in Europe.