Abstract
Purpose of the Study: Franz Kafka is a much-debated existential writer who portrays existential traumas prevalent in his era. This research unfolds identity-related issues present in an existential journey of characters. Those are usually discussed in terms of existence and being. Identity formation, in an existential narrative, is seen in the process of becoming.
 Methodology: This paper is an interpretive phenomenological study to unearth the phenomenon of identity. Heidegger's interpretive phenomenology, along with Sartre's ontological framework, will be used to analyze Kafka's two novels, The Trial and The Castle. Yet, his book, Amerika, is left as it is considered unfinished.
 Findings: The Kafkaesque world pictures the traumas of the existential world, and this study mainly focuses on the phenomenon of identity, which is in constant flux in these ever-changing dimensions of the existential journey. Authentic and inauthentic existence, good and bad faith, is essential binaries in evaluating the identity of any character at any given instance.
 Application of the Study: This study will contribute to the understanding of characters of the Kafkaesque world in the light of the identity issues from an ontological perspective. As characters of Kafka are constantly striving to achieve good faith and trying to abandon inauthentic existence to attain harmony with their existence.
 Novelty/Originality of the Study: Kafka has been studied for many existential perspectives, yet this study explores the phenomenon of identity embedded in the existential narrative. Identity is usually sought in relation to discourse and postcolonial studies while discussing the Kafkaesque world. Yet, in this research, identity-related issues have been coupled with existential and ontological processes going in the fictional narrative of Kafka.
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