A public intellectual study of South Africa’s Mike Van Graan

Abstract

The roles of prominent anti-apartheid fighters, trade unionists, journalists, religious leaders, writers – fictional and non-fictional – and artists have been important in the documentation of the public intellectual culture in South Africa. These are sets of people whose efforts and influences enhanced the achievement of a democratic South Africa. However, since the official end of apartheid in 1994, most South African critics have been those in academics. Artists, especially playwrights, have not received as much attention as they should. Also, when playwrights are studied, attention is mostly directed towards anti-apartheid playwrights, and most of these studies are not focused on positioning them within the conceptual framework of the public intellectual. As a way of studying the effectiveness and ultimate worth of the transitional playwright, this paper seeks to engage in a qualitative interrogation of the works of South African playwright and cultural critic, Mike Van Graan by exploring his status as a public intellectual in the era after apartheid. To achieve this, the paper examines one of Van Graan’s plays, Some Mothers’ Sons (2005), and one online essay published in 2020 and shared on his social media pages: Facebook, and Twitter. The extension of this study to social media platforms will enable this paper to adopt a study of Van Graan’s literary and non-literary works and the reactions they have gathered.