Abstract
Abstract Convening is a mode of practical theology inquiry that stages a counter-performance to the spectacle of prominent logics that order ecclesial life: brand Christianity, silos, and competition. Three parts organize this argument: Part I sets the stage with a preliminary portrait of convening, noting the contextual features of this inquiry. Part II introduces Augustine’s City of God as an interpretive lens to understand convening as a counter-performance to prominent spectacles on display. Part III redescribes convening by combining Augustine’s theological vision of spectacle, performance, latreia, and pilgrimage with the introductory portrait in order to perform what is possible when people of faith gather for collective inquiry.
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