Abstract
ABSTRACT This essay interlaces personal narrative with an analysis of the video and textual works of the Korean American artist Theresa Hak Kyung Cha. I begin with a sequence of visits to the Puck Building, the site of Cha’s murder in 1980, in an ill-fated attempt to recover her presence in luxury penthouse suites now owned by the Kushner family. I move toward the screen as a site of permanence where I can unearth Cha’s ruminations on history, mythology, language, and cinema.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
