Abstract
Long before C P Snow's two cultures, there was only one. Its supreme embodiment was the great Renaissance master Leonardo da Vinci. Da Vinci saw no barriers between art and science (or what was known as natural philosophy back in the 16th century). His journals were filled with sketches, ideas and observations that testify to the polymath nature of Da Vinci's ingenuity. Da Vinci used artistic inspiration as a path to his inventions, and the observation of the natural world as an intrinsically artistic undertaking. He made thousands of blueprints outlining some of the most impressive inventions ever conceptualized – flying machines, bridges, calculators, tanks, solar-power cells. Most were impractical, few every saw the light of day, but all bore the mark of the master's infinite inventive powers.
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