Abstract

The 1867 assassination of Unionist James H. Bridgewater typified politically motivated community violence in central Kentucky during the Civil War Era. His assassins, members of a band of ‘regulators,’ viewed Bridgewater as representative of ongoing federal interference in the Commonwealth and thus a hindrance to their local agenda. Regulators used terror tactics both to stymie political competition for the building blocks of state power, including the offices of sheriff and magistrate, and to impose a white supremacist social order after the formal abolition of slavery. Like‐minded partisan editors sought to legitimize both the actions of these night riders and of state and local elected officials by arguing that ‘outlaws’ such as Bridgewater had to die so that law and order might be restored, while assuring readers that such things did not happen to ‘good citizens.’ In so doing, these editors laid the foundation for a usable memory of the Civil War and Reconstruction in Kentucky.

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