Abstract

The paper analyzes a magical amulet discovered in 2007 by Radu Petcu in the civilian Roman settlement of Ostrov-Durostorum, province of Moesia Inferior. The intaglio, made of lapis lazuli, is a ring stone and depicts the so-called Pantheos or Polymorphic Deity . Following a description of the iconography, a history of research on the interpretation of this deity is presented. An interpretation of the Greek texts on the obverse and reverse of the intaglio is then offered, assisted by a review of comparanda. Finally, the conclusions are made, envisaging the apotropaic role of the amulet and the importance of the new vox magica. Keywords: Magical Amulet; Durostorum; Pantheos; Polymorphic deity; vox magica.

Highlights

  • Wissenschaftlicher Beirat Angelos Chaniotis, Denis Feissel, Jörg Fündling, Nikolaos Gonis, Klaus Hallof, Anne Kolb, Michael Peachin

  • Since the matter is fairly complicated, we present a brief overall view

  • The Byblos amulet, despite being quite unparalleled, has come to dominate the discussion: following a suggestion by Simone Michel, Paolo Vitellozzi views ‘Pantheos’ as a deity who in Phoenicia was assimilated to El-Kronos, citing the inscription from Byblos, and this idea has been adopted by Mastrocinque in his latest discussion.[19]

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Summary

Gemeinsam mit Franziska Beutler und Wolfgang Hameter

Wissenschaftlicher Beirat Angelos Chaniotis, Denis Feissel, Jörg Fündling, Nikolaos Gonis, Klaus Hallof, Anne Kolb, Michael Peachin. The Byblos amulet, despite being quite unparalleled, has come to dominate the discussion: following a suggestion by Simone Michel, Paolo Vitellozzi views ‘Pantheos’ as a deity who in Phoenicia was assimilated to El-Kronos, citing the inscription from Byblos, and this idea has been adopted by Mastrocinque in his latest discussion.[19] All this does not really help in comprehending the precise nature of this deity, if we believe that it is meaningful to speak of a precise identity in this context of competing conceptions and imagery.[20] There seems to be a consensus that the polymorphism of the ‘Pantheos’ represents a solar divinity,[21] and that the overall aim is protective or apotropaic.[22] On our gem the solar association is underlined by the text ΜΟΥΝ // TOY engraved beside the figure. The entire text on the reverse is encircled by an elliptical ouroboros.[36]

Final remarks
Radu Petcu National History and Archaeology Museum

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