Abstract
ABSTRACT Aram Gershuni is an Israeli artist specialising in realistic and hyper-realistic painting, whose work differs radically from the mainstream of Israeli art and can most distinctly be characterised as ‘mimesis’, a term that is generally associated with traditional western art. Though Gershuni’s still life images may seem at first sight trivial and banal, it is their very banality and mimetic appearance that are significant, reflecting profound and disputed issues in Israeli culture. This article explores Gershuni’s still life paintings and offers several perspectives for their interpretation. The analysis is based on textual sources, mostly Classical, that reflect Gershuni’s approach and affinity.
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