Abstract
ABSTRACT In her historical novel, The Beginning of Spring, Penelope Fitzgerald explores English identity in pre-revolutionary Russia by putting her expatriate hero Frank Reid to the test in ethical situations. Engaging with critical attention to the novel’s moral meaning, this article offers an ethical reading alongside Paul Ricoeur’s study on ethical intention and Emmanuel Levinas’s ethics of the face of the other. Frank’s ethical self can be imputed from his aim of becoming a just man in the Moscow business community. To achieve that aim, he must make ethical deliberations based on his practical wisdom and the moral injunction that regulates the intersubjective relationship between the self and the other. He ultimately fails his ethical aim because of the unjust institution – he is othered in/by Russia. I conclude with a gesture that the novel is Fitzgerald’s ethical intention of giving a voice to the other Russian culture.
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