Abstract
O texto reflete sobre as passagens e contaminações históricas e contemporâneas entre arte e cinema ancorando principalmente nas dinâmicas do espaço, mostrando como se efetua uma vertente do audiovisual contemporâneo que se coloca na intercessão entre a tradicional sala escura de exibição, a caixa preta, e os espaços de exposição como museus e galerias, o cubo branco. Construímos um breve contexto histórico, para em seguida nos determos nas dinâmicas do espaço a partir da noção de heterotopia em Foucault para analisar algumas obras exibidas na 32ª Bienal de São Paulo (2016).
Highlights
how a contemporary audiovisual strand takes place that intervenes between the traditional dark exhibition room
the exhibition spaces such as museums and galleries
on the dynamics of space from the notion of heterotopy in Foucault to analyze some works exhibited at the 32nd Biennial of São Paulo
Summary
The text reflects on the historical and contemporary passages and contaminations between art and cinema anchoring mainly in the dynamics of space, showing how a contemporary audiovisual strand takes place that intervenes between the traditional dark exhibition room, the black box, and the exhibition spaces such as museums and galleries, the white cube. Na relação entre arte e cinema vamos refletir sobre as aproximações e passagens, históricas e contemporâneas, entre esses dois campos para ver como novas articulações e potências são constituídas.
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