Abstract

Clément Marot, poet and evangelical sympathizer, published his own translation of thirty psalms in 1541, which in itself was not remarkable at the time. However, what distinguishes this collection is the dedicatory epistle that precedes it. Marot does more than flatter the king, to whom he dedicates his work, or introduce the text that follows. In this article, I argue that Marot composes a dedicatory epistle that, while following contemporary conventions of the genre, takes advantage of those conventions to accomplish a specific evangelical goal in a complex and sensitive religious and political environment. The text creates a typical exchange between patron and poet—the patron’s protection in return for the poet’s gift of the text—but Marot ultimately intends to bypass his patron and bestow a more profound gift upon the French people by way of this exchange, namely, to further a more evangelical scriptural approach and devotional practice.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.