Abstract
This article exposes the question of the mimesis in the thought of Jacques Ranciere, in counterposition with the arguments of Hans-Georg Gadamer and of Luiz Costa Lima on the same subject. If the two last authors defend the present relevance of the mimesis in understanding of the artistic experience from the criteria proposed by the humanistic sensus communis, Ranciere understands that the mimesis must be understood inside his regime of historicity, which he calls “representative regime”.
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