Abstract

The author reviews and challenges the critical construction of the gay Italian writer Pier Vittorio Tondelli. His critical approach to Tondelli rewrites homosexuality back into his books; even though with different agendas, both Catholic and gay critics have silenced this important part of Tondelli's oeuvre. Upon a close reading of several passages of Tondelli's last novel Separate Rooms (P. V. Tondelli, 1989/1992), the author shows how the book functions as a powerful exposure of the heterosexist claim of being the only natural sexuality, a claim that, the novel argues, is supported by official religion.

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