Abstract
The oeuvre of Sándor Petőfi is one of the most well-researched one, still it has parts which are – paradoxically – lesser-known in the literary consciousness. The prose of Petőfi can be seen as a “blind spot” which has not been integrated into the curriculum of public education and it was hardly ever discussed in the professional discourse as this corpus was considered to have a marginal status. Petőfi, who oen declared his versatility in the 1840s, translated prose and experimented with different narrative techniques in his novel and short stories. Petőfi’s short stories are strongly connected to the financial aspects of publishing, however, they should not be viewed simply as “fillers” since these texts can be analysed from a literary perspective, considering the variation of genre conventions, narrative styles and tones in these experimental short stories which interact with the other texts of the oeuvre, as well. This paper reviews Petőfi’s latest published short story regarding the reality effects of the text.
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