Abstract
in which artists played a wider role in society in the Renaissance and Baroque era than what we expect of an artist today; (2) The artist's intended meaning in certain artworks only becomes evident when you reconstruct the common beliefs of the original audience. Give specific examples of how this interrelationship of historical context and iconography works; (3) The ideal of what art should do changed drastically during the nineteenth century. Trace this by comparing the work of Ingres, Goya, Friedrich, Courbet, and Munch; (4) What was a woman's place in eighteenthand nineteenthcentury European society? How did male artists view women? (5) How did the urbanization of Paris, photography, and Japanese prints all play a part in the distinctively look of Impressionist painting? (6) Pretend you are Picasso visiting the University of Kentucky Art Museum's special exhibition of African art. What would your reactions to it be? (7) Discuss the interrelationship of politics, art exhibition, and art censorship in modern art; (8) Women's art: Is there a specifically female aesthetic? Is it different in essential ways from the male vision?
Published Version
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