A Critique of the Metaphysics of Ontological Poesis : Responding to Theology and the Political

Abstract

A common set of metaphysical assumptions inform the theological proposals of many contributors to Theology and the Political: The New Debate. Those assumptions are orientated toward grounding the possibility of genuine ontological creativity (poesis) in a particular construal of nature's mediation of the supernatural. Applying the claims of Bernard Lonergan's early work on grace and freedom to those assumptions, the argument is made that this position repeats the most fundamental flaws of the Bañezian position in the de Auxiliis controversy: namely, a basic confusion of form with act, which gives rise to the misguided assumption that a "third" (i.e., physical premotion, causal influx, sophia) must be posited to mediate divine grace to the world and within it. It is argued that this confusion reveals that a competitive understanding of the God/world relation is presumed in this proposal, which itself is the result of a failure to affirm the absolute and immediate dependence implied by the doctrine of creatio ex nihilo.