Abstract
In the Flemish region bounded by the Meuse, Sambre, and Scheldt rivers, goldsmith work flourished in the thirteenth century under the influence of such skillful artists as Hugo d'Oignies and Nicholas of Verdun. To the considerable number of objects which have been attributed to minor artists of this region and period, I should like to add a copper-gilt shrine in the Museo Sacro of the Vatican Library. This work, I believe, has been mistakenly considered of English provenance1 and dated too late, from the fourteenth to the sixteenth century.2
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