Abstract
As an important component of national cinema, war-themed movies represent the strength of the national film industry and modern technology. From a historical perspective, Chinese war-themed films have been influenced by the aesthetics of Soviet cinema. This paper begins by exploring the historical origins and development of Chinese and Russian war-themed mainstream films, and conducts an aesthetic comparison from the aspects of ideological consciousness, humanistic reflection, new paradigms, and application of network big data technology. It elucidates the spiritual aspirations of Chinese and Russian war-themed films and grasps the development direction of such films in China.
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