Abstract

Purpose: To evaluate the adequacy of Zambia's domestic copyright law in protecting digital songs and their creators within the context of modern music streaming platforms. Methodology: A qualitative desk research approach was employed, analyzing existing Zambian copyright legislation and comparing it to relevant laws in Kenya and the United States. Findings: The study found that Zambia's copyright law is ill-equipped to protect digital songs and their creators in the digital age. The law does not explicitly address digital music streaming, leaving artists and copyright owners vulnerable to exploitation. Furthermore, the law's ambiguity regarding digital reproduction can hinder the effective enforcement of copyright rights. Unique contribution to theory, practice and policy: This study contributes to the understanding of copyright protection challenges in developing countries, particularly in the context of digital music. Its findings and recommendations offer valuable insights for policymakers and legal professionals seeking to improve copyright frameworks in Africa.

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