Abstract
It is an accepted fact that the peak of Chinese opera creation is mostly around the "Yuan, Ming and Qing dynasties". In the opera involving the "moon worship", it is found that in the creation content of these three generations, the description of "sacrifice" and "blessing" does not reach the exaggerated "batch", but the quantity is also considerable. This can not help but produce two questions, why in the period of autocratic prosperity, such a religious story plot will be loved by most opera writers for a time? Why does the creation presented by the yue u present this kind of "simple and complicated" creation style? In order to uncover the causes of this phenomenon, we need to return to the context of The Times and culture at that time for comprehensive exploration.
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