Abstract
Rooted in the dystopian tradition, 2084: la fin du monde[2084: The End of the World] by Algerian author Boualem Sansal stands out for its inclusion of elements reminiscent of the philosophical tale, particularly Voltaire’s Candide ou l’Optimisme [Candide,or Optimism], such as the use of descriptive intertitles in the form of completive propositions, the schematic natureof the characters and the use of irony. It is this secondgeneric affiliationthat we will focus on in this article.
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