Abstract
The great majority of research in music psychology has focused on one species (humans) and one musical tradition (Western European tonal music). Although this approach has yielded a great deal of knowledge, there are limits to what we can learn about the musical mind from staying within these boundaries. By comparing music processing in humans and other species, we can gain valuable insights into the evolutionary roots of our musical capacities and identify those components of music cognition that are uniquely human. By comparing the processing of music across cultures, we can disentangle universal aspects of music cognition from aspects that are culture-specific. Thus both types of comparative research are needed for a full understanding of the musical mind. The past decade has seen exciting new developments in comparative research that invite further exploration of this frontier area within music psychology.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
