Abstract
“Sex and the City” and “Sex and the City 2” were two series of movies reproduces the characteristics of contemporary consumer society,and these two movies also based on illustrated catalog of material to shineand social relations between people,that not only is replaced with fantastic form of a relation between things,but also leads to logic the “substances themselves shall have the essence of beauty” perverse anti“ purely spiritual beauty” which classical aesthetics believe,and it makes fashionable political legitimacy establish become a constant truth for constantly changing fashionable. Fetish materialized phenomenon itself naked show is naked show the simulacrum of the legitimate,this thesis focuses on to analysis the film text symbol translation and symbolism to shaped configuration between each other in both the virtual image narrative and social reality dialectical relationship, Fact and Fiction to deconstruct the movie “Sex and the City 1 and 2” hyperreality illustrated catalog structure,virtual of fiction become social reality and simulacrum become consumers's true,simulacrum is true,and this phenomenon makes the movie “Sex and the City 1 and 2” becomes more of phantasmic-hypertext nature itself.Social and cultural structure unwritten norms shaping impossible gaze, Michael Patrick King choose to transparent fantasy underlying contradictions in the screen,so that the audience to free-floating in a new virtual pure desire world without privation and frustration.and then becomes Cyborg identity like which Donna Haraway propose of hybridity and separatist on boundaries of right survive to challenges God’s “natural reality” the only “true” cybernetic organism is more direct to subvert the fundamental of the symbol order .
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