Abstract
This work concerns revealing basic signatures of the concept «reason» (wit, judgment, understanding, sense etc.) and their semantic interrelations in aesthetic discourses of XVIII. The analysis is made on the basis of the works of Pope on art criticism. The author notes that in the English lexicon of the first half of XVIII century «reason» united around itself majority of concepts denoting cognitive and creative activity of a person.
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Schedule a callMore From: Izvestiya of Saratov University. New Series. Series: History. International Relations
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