Abstract
This study analyzes the prospects of glocal culture inherent in Shakespeare's musical The Tempest, which was selected as a creative support work at the 17th Daegu International Musical Festival(DIMF). For this analysis, this essay is intended to reveal each character's situation and comical characteristics according to the directors' adaptation and direction of variation. In addition, this essay will examine how far the variation characteristics of music are reflected, and glocal ones in the characters or contents of the musical along with music materials. Investigating the various aspects that can be put forward as glocal cultural characteristics included in DIMF's musical The Tempest, the essay will also evaluate the contribution it can contribute to developing local culture, expanding new horizons in studying The Tempest.
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