Герметизм Володимира Свідзінського (у проєкції від міста над Смотричем)

Abstract

The poetry of podolianyn Volodymyr Svidzynskyi is not hermetic itself, but fi rstly intellectual as the research proved. As the political situation for Ukrainian art is not favourable, it contains the notion from «big silence» to «worldview un-pronounceability», inspired by Podillia and Smotrych views. It is characterized by symbolism and surrealism. V. Svidzynskyi’s lyrics is noticiable for motives of detachment and non-interference as amplitude dramatic prophecy. It is full of martyr feeling from fatality talent. All of the mentioned above according the researchers equal V. Svidzynskyi to the world discourse of tragic celebrities as Paul Celan, Rainer Maria Rilke, Federico Garcia Lorca, Borys Pasternak. That is lyrical impreza of the poet was founded on the intellectuality worldview and it considers as avant-garde refl ection of the epoch. It was in great demand during the 21st century and established appropriately at that time too.In the fi rst and second collections of poems, Volodymyr Svidzinskyi was no-ticeably inclined to symbolism, he became interested in the plasticity of images, he turned them into symbols through a metaphor.Volodymyr Svidzinskyi, in the days of the so-called third Ukrainian renais-sance (that is, the «shot revival»), rethought himself as a medium. Although this motif became popular in the days of the scientifi c and technological revolution, in the poetry of the sixties, in particular, in the poems of Lina Kostenko (es-pecially in the collection «River of Heraclitus» and «Madonna’s Crossroads»).In the last two collections we can more and more clearly trace the infl uence of surrealism. However, we can not say that the poet was fascinated by the paint-ings of his famous contemporary Salvador Dali. The authors were simply in the same temporal parallel, did not imitate each other, did not artifi cially use the sur-real elements popular at that time in Western Europe.