Abstract
The article identifies the relation of such disciplinary practices as museumification and exhibiting with political communication. Political communication, in its turn, is considered as verbal confrontation of ideological constructs and social hierarchies, according to Jacques Rancière’s “politics” and “police” concepts. The author examines different types of museumification in the context of the political. Using the methodology of post-colonial studies, the researcher analyses the structure of the artefact as an exhibit item and concludes that a speech act, which, according to Rancière, is politics itself, contains the principles, which allow the deconstruction of the political.
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