Abstract
الصورة الشعرية من أهم الأدوات الفنية في العملية الإبداعية، يلجأ إليها الشاعر للإفصاح عن خصوصية تجربته الجمالية، وکلما برع في رسمها کان تأثيره في المتلقي أکبر، وأداء رسالته أقوى. ويتناول البحث: جماليات الصورة في شعر عمرو بن الأهتم کأحد الشعراء الکبار في جاهليته وإسلامه، ورغم قلة شعره الذي وصل إلينا إلا أنه يعطي دلالة واضحة على براعة الشاعر وتميزه الفني، وإنسانيته، ودقته التصويرية، حيث يحفل شعره بأنماط الصورة الجزئية (البيانية)، والصورة الکلية الممتدة، وقد استطاع أن يوظف مقدرته الشعرية للحث على مکارم الأخلاق، ودفع الظلم، کما حفل شعره بالحکمة التي تدل على عمق التجربة، والخبرة الحياتية، وکل ذلک مؤشر على جمال الصور وبراعتها في شعره، فالتجربة العميقة تنعکس على جو النص عامة. Abstract The poetic image is one of the most important technical tools in the creative process. The poet uses it to disclose the specificity of his aesthetic experience. The more he excels in drawing it, the greater his influence on the recipient, and the stronger his message. The research deals with: the aesthetics of the image in the poetry of Amr bin Al-Atham as one of the great poets in his ignorance and Islam, and despite the lack of his poetry that reached us, it gives a clear indication of the poet's ingenuity, his artistic distinction, his humanity, and his graphic accuracy, where his hair is filled with partial patterns (graphic), and the image The extended college, and he was able to use his poetic ability to induce morals and advance injustice, as well as his poetry with the wisdom that indicates the depth of experience and life experience, all of which is an indication of the beauty of the images and their ingenuity in his poetry, the deep experience is reflected in the atmosphere of the text in general. Key words: interest, partial image, metaphor, overall image, poetic experience.
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