Abstract
Acknowledgements Introduction: Argument and Contexts PART I: THE CREATIVE PROCESS AND SOCIAL ACTION 1. Yeats and Art as a Form of Religious Experience 2. Joyce and Art as a Form of Religious Experience 3. Sorel's Social Myth and Art as a Form of Religious Experience PART II: READER RESPONSE AND SOCIAL ACTION 4. Aesthetic Experience, Religion, and Economic Materialism in Yeats 5. Aesthetic Experience, Religion, and Economic Materialism in Joyce 6. Sorel's Social Myth, Aesthetico-Religious Experience, and Economic Materialism Conclusion: Art and Life Rhythms Notes Bibliography
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