Abstract
Using the example of the biography of a modern Russian rock-poet, the article reveals the theoretical and methodological problems of the genre of biography: genetic potential, a change in the content paradigm, ethical and aesthetic intersections of the biographer, the biographer and the recipient. The relationship between the participants in the biographical discourse is considered in the context of cultural memory, formed in the communicative field of the Internet-environment. In connection with the solution of the indicated problems, the concepts of a prebiographical face , prebiograph , epoch-making interpellative , cultural-dialogical forecast of the recipient are introduced . The question is raised about the influence of the prebiographical face of the rock-poet on the subsequent creation of his biography.
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