‘상실’과 ‘저항’: 두브라프카 우그레시치의 포스트유고슬라비아 에세이즘과 그 함의

Abstract

This research is devoted to the exploration of the implications of the Post-Yugoslav essayistic writings(Post-jugoslavenska esejistička proza) by Dubravka Ugrešić, one of the major contemporary female writers in Croatia through the analysis of their main themes and narrative features. It is the genre of essay that came to the fore in her literary works after she chose to live as an exiled writer. On the whole, it is the feeling of ‘loss’(gubitak) and the attitude of ‘resistance’(otpor) that underlie her essayistic writings, which are subsequently classified into five groups from the thematic points of view as follows. The first one is related to the nostalgic feeling of loss from the disappearance of Yugoslavia and includes those essays that criticize the confiscation and manipulation of the historical memories of ex-Yugoslavia in the new nation states that came to being after the disintegration of SFRY and during the outbreak of the Yugoslav interethnic violences and civil wars. The second group comprises the essays that provide the microscopic observations on the current situations in the Western Balkans in the transitional post-communist period. The third group of essayistic writings addresses the mutual recognitions between the East and the West of Europe, and the changes in recent Europe, caused by refugees and labour migration. The fourth group of essays examines the current status of literature including those ones and their writers in the Western Balkans and emphasizes the necessity of the proper consideration of the transnational literature as an alternative to the conservative national literatures, which have relied on the exclusive nationalistic cultures and have contributed to the identity politics. The fifth group of essays in Ugrešić’s oeuvre is related with the feministic criticism of patriarchal culture and misogyny in the Western Balkans. Based on the frequently repeated narratological elements, the above-mentioned themes are expressed through the authorial colorful tones and writing styles from the writings in fragments and short manifestoes to the long sarcastic feminist critiques and serious political interpretations with the view of diagnosing the crises of humanness(humanitas) from the Western Balkan countries to the West European societies. Ugrešić’s essayism originated from her diverse existential experiences as an exiled writer, and therefore needs to be considered as the heterogeneous and multilayered discourses that lead the readers to the deep contemplation and seeking solutions to the frustrating circumstances after the collapse of the communist countries.