ВЗАЄМОЗВ’ЯЗОК МУЗИЧНИХ ТА ТАНЦЮВАЛЬНИХ АСПЕКТІВ ФЕНОМЕНА ЛІНДСІ СТІРЛІНГ: ДО ПРОБЛЕМИ НОВИХ ФОРМ ВИКОНАВСЬКОЇ ВИРАЗНОСТІ

Abstract

The purpose of the research is to study the stylistic aspects of the cover performance and derivative genre branches in the work of the violinist Lindsey Stirling. Research methodology — the article explores the prerequisites for the possibility of a new reading of the violin possibilities in terms of the basic principles of sound production on the violin, analyzed the principles for the implementation of the technical plan, revealed the interdependence of internal links with external ones, examines the relationship between dance and music, the interdependence of the influence of these components, on the components of artistic synthesis, Lindsay Stirling’s idiosyncrasy is based on theories of development theatricalization. Scientific novelty — the article raises the issue of the possibility of combining the plastic and musical arts in a single conceptually justified manifestation, basing their arguments on the example of the objective manifestation of specific musical features in the work of the violinist Lindsey Stirling. Conclusions. Summarizing the characteristics of the performance aspects of the game Lindsay Stirling, in their totality, we call them the author’s idiostyle of the performer, and this minting a new seal in musical history in violin performance, namely this kind of thinking and self-expression reflects the culture of the era as a whole.