О двухчастных стихотворениях Ф.И. Тютчева

Abstract

The article presents a typology of Tyutchev’s two-part poems, created on the basis of revealing the nature of semantic relations between their compositional elements. These are poems: 1) ith a philosophical or moral-psychological generalization in the second part, which does not just reform the content that is already clear to the reader, but reveals its meaning in the language of concepts and images (the implicit form and various variants of the explicit form: a common motif that binds the parts together; a dialogue; a chain of rhetorical questions; a persona’s consciousness, contemplating and ranking a lyrical character as the artistic center of the lyrical structure); 2) with the psychological gesture in the second part that conveys the desire of certain actions, able to change something in reality or in the inner world of the lyrical “I”; 3) with parallelism of human and nature, implemented mostly through the expanded comparison without, as a rule, a complete analogy (situation: the lyrical hero contemplates a particular material object – and an association with the world of the human soul comes to their mind); 4) with the contrast of objects of nature, its states, human and nature, life and death. In connection with the last point, it is specifically emphasized that one should not confuse the logic of contrast with contrast as a compositional technique. In the light of the analytical and interpretative operations, the following conclusion is made: all the types of relations between the two compositional elements, noted in the article, are represented by both symmetrical and asymmetric structures corresponding to different strophic forms, which allows us to speak about the flexibility of the poet’s artistic thinking, which finds different structural models for expressing the philosophical and moral-psychological content.